Captions

[These are some loose captions dislocated from their photos. I found them in a pile at the bottom of my mirror drawer, somewhat dusty, but legible for the most part.]

• I will turn my questions into elements of decoration and wait for the answers.
• A factory welcome brightens our day.
• Harnessing of lethargy, woodland strolls.
• Lament of the circulation signals, October.
• Darla’s underground folio with leather pants.
• Spider’s aspect comparison for leave-taking, folds dress the kite well and truly.
• Avalanche of flawed trajectories, sleep of burden.
• Parsing the cornette, twin crows in syncope.
• Excellence of piano practice and fullness of metrical salvage.
• Sea and sand, swarms of messages, Freda’s nylons.
• Urgencies from overlay harmonics bring calm to Hemiola Harbour.
• Clara seated while thinking of X from the shop window.
• Vladimir’s piano in Moscow, with fingerprint stamps by Irina.
• Quiet days in Miramichi, sadness of fritillaries.
• Echo slicing for stiletto heels, Miranda’s hats revealed on Tuesday.
• Passenger refrains for the long haul in holding light.
• Clara’s teapots facing north.
• Melancholy of evening through the broken window, pillars of industry, that children’s choir.
• Threading the white nights, black afternoons, all must come down.
• Sullen coast in the rear view mirror, Mamainse.
• Poison glow of tubular rings hollow no containment for mordant chords.
• How to flog a dead horse, using only a cold fish, even as the cow notices the train going by.
• Push and pull at the underpins gravity, it will come a splendid disarticulation.
• Lack of vigilance favours the unsyllabic, ready for Marla’s percoils.
• Two against three holding a pause, waiting for three against two to slip their moorings.
• Symbolic corner, where did Alice?

[more to come . . .]